![]() It seems to me that this is how to get the best of both worlds. My current plan is to do sequencing automation and arrangement in Ableton Live 10, and move things into Cubase Pro for mixing (dat 64-bit floating point engine tho.). They also offer cross-grade pricing if you own a license for Live Suite, so make sure if you buy it you take advantage of that. ![]() Their demo is full functional, so that is a huge plus. It's going to take a while to get used to navigating Cubase's menus, and you might find that you love it or hate it. It's missing a lot of basic features that are standard across all of them. Ableton Live to me is a great sequencing and arranging tool, but is not by any means a real DAW. The workflow is VERY different from Ableton Live. My recommendation would be to try the demo of Cubase first. With Ableton, Pro Tools, Sonar, Studio One, FL and Logic (yes, I've tried them all) Cubase stands out as the only one where my mixdowns seemed to translate in an offline bounce. I think 10 solved a number of workflow and routing issues, and so far I've been really enjoying working in it.Īll that said, I also recently bought a copy of Cubase 10 for mixing, because of all the DAWs I've used over the years I firmly believe that Cubase has the best audio processing engine. I don't know why Logic is the only one that is capable of this, but I suspect it has something to do with the AU format. Most of them allocate each audio track to one core. No DAW other than Logic that I know of as of now will spread a single track across multiple cores. ![]() ![]() I've had the opposite feelings toward it. So I'm seeking opinions, suggestions, advice, warnings and alike for and against switching to Cubase from people who have done it in the same sequence or use both Cubase and Ableton.Īpologies for the long post, I'm really pissed about spending a good amount of money on this software only to find myself being left out of the target audience. I've gotten the trial and liked it quite a lot, the depth to the interface and the level of customization really got me excited. The whole "get creative and put down ideas fast" has become such a buzzword marketing ploy. etc.ĭon't get me wrong, i love the session view and certain elements of integration with Max which make it the perfect live performance tool if you're into some crazy performance environment/installation stuff, but I can't help but feel that I can't be the only one that noticed that Ableton is increasingly gearing the software towards lightning fast production of trap beats or "edm bangers". Then there are the usual suspects that were there always, that I've only started to notice as I got deeper and deeper into production and wanted more control over what I do - no true mono, nothing above stereo (m4l workarounds are not stable or practical enough), lack of advanced routing, no reassignable key commands, invisible plugins on tracks in the session (mix) view, no comping, no offline processing etc. The newly integrated Max 8 in form of M4L has also delivered a fair share of problems, starting with interface lag that I've had to fix using a custom executable for Max (which is only possible with a commandline.txt file), not to mention that the old M4L factory devices are left as duplicates and bog down the entire session if you dare load up the old ones. HiDPI mode is simply dogsh*t that introduces embarrassing lag, I've been in touch with tech support for 4 months to try and fix it to no avail. They've recently announced it in 10.1 and released it with the beta, but after 3 updates and attempts of fixing the bugs, it's nothing short of disastrous (crap scaling, saved states don't recall 100% of the time, crashes). Then, when I started using more Reaper for work in audio-post, I've noticed the glaring lack of vst3. Sessions are handled terribly by a pretty damn hi-end laptop. Sadly, I was massively disappointed with version 10, especially since I've had to pay for the upgrade as well.įirst it was the increasingly evident terrible and riddled with old code multicore support. I've happily bought the suite and the original push when it came out, and always considered it the premium software until just under couple of years ago. I've been a loyal user of Ableton for 8-9 years, starting with Ableton 8. I want to get the community's opinion and/or advice/counter-arguments for somebody who's looking to switch to Cubase.
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